Saturday, December 22, 2018

The Liberal Founding (Reposted)

This is a repost of “The Liberal Founding,” originally posted here July 24, 2012. 



“The spirit of liberalism suffused the Revolution, the Declaration of Independence, the Constitution and the Bill of Rights” - (Below)

Professor Charles K. Rowley:
In 1993, in his book, Post-Liberalism, [John] Gray poked around among the rubble of classical liberal philosophy to determine what, if anything was left. He concluded that none of the four constitutive elements of doctrinal liberalism — universalism, individualism, egalitarianism and meliorism (or human flourishing) — could survive the ordeal by value pluralism and that liberalism, as a political philosophy, therefore was dead. - What Is Living and What Is Dead in Classical Liberalism

To start, preliminary remarks on liberalism. The underlying propositions:
  1. The liberal Enlightenment of the eighteenth century was an outgrowth of the scientific revolution of the latter half of the seventeenth century
  2. In this blog the term ‘liberalism’ means Enlightenment liberalism. Liberalism is substantially different from the outlook of the left, and from Marxism, progressivism, libertarianism, and conservatism (as Historian Fritz Stern writes, “Extremists of the right and the left have long attacked liberalism as their greatest enemy.”)
  3. The Declaration and Constitution, recognized by scholars as representative Enlightenment documents, embody liberal principles. As Stern’s and Ferris’s notes below suggest, the Founding was an expression of the new liberal values of the Enlightenment
  4. The underlying assumptions and working principles of the United States are liberal. The present tendency to use ‘liberal’ as a derogatory epithet suggests a fundamental problem for the working of our society

Timothy Ferris, The Science of Liberty:
This book argues that the new ingredient was science. It maintains that the democratic revolution was sparked—caused is perhaps not too strong a word—by the scientific revolution. … Science arose to prominence immediately prior to the Enlightenment—as would be expected if, indeed, science was the one indisputably new ingredient in the social and intellectual ferment that produced the Enlightenment and the democratic revolutions that followed. (p. 2, p. 6)

Fritz Stern was born in Breslau, Germany in 1926, and moved with his family to the United States in 1938 in response to the rising anti-semitism of the Third Reich. As he wrote in The Failure of Illiberalism:
It may be that the accident of German birth gave me an added incentive to work in this extraordinary field. It certainly left me with strong memories. I was seven when Hitler came to power; for the next five years I lived under the two faces of Fascism. ... In school I saw the smiling face of Nazism, as fellow students reveled in their uniforms, sang their songs, and prattled their litany of love and hate. I sensed their exultation and felt their cruelty.

From Fritz Stern Op-Ed New York Times September 4, 1988 (in response to George H.W. Bush’s Ronald Reagan's derogatory use of ‘liberal’):
Liberalism—one of “America's noblest traditions,” I insisted, often defined as a state of mind—had “transformed the world . . . [I]ts greatest victory has been the American Revolution; its greatest pronouncement, the Declaration of Independence; its greatest bulwark, the Constitution of the United States and the Bill of Rights.” It had “stood for freedom against tyranny. At its best . . . a force for change and progress, seeking the institutional defense of decency.” ... In America's liberal premises the world had seen “the best promise of the West.” - This, and the following, from Five Germanys I Have Known

 

New York Times ad purchased  October 26, 1988 by Fritz Stern and C. Vann Woodward:

A Reaffirmation of Principle
We speak as American citizens who wish to reaffirm America's liberal tradition. At our country's founding, the spirit of liberalism suffused the Revolution, the Declaration of Independence, the Constitution and the Bill of Rights. These principles, thus embodied, have inspired the respect of much of the world.
We regret that the President of the United States has taken the lead in vilifying one of our oldest and noblest traditions. He made sport of “the dreaded L-word” and continues to make “liberal” and “liberalism” terms of opprobrium. We are deeply concerned about the erosion and debasement of American values and American traditions that our country has long cherished.
In the past and at its best, liberalism has sought the institutional defense of decency. Everywhere it has fought for the freedom of individuals to attain their fullest development. It has opposed tyranny in all forms, past and present. Liberal policies require constant scrutiny and sometimes revision. Liberal principles—freedom, tolerance, and the protection of the rights of every citizen—are timeless.
Extremists of the right and the left have long attacked liberalism as their greatest enemy. In our own time liberal democracies have been crushed by such extremists. Against any encouragement of this tendency in our own country, intentional or not, we feel obliged to speak out. We hope that others will do so as well.

Monday, December 17, 2018

Is social justice subjecting the arts to extraneous considerations?

Wesley Morris, in Should Art be a Battleground for Social Justice? [NYT] wrote
No event captures this anxious confusion of activism and criticism better than the time a group of artists descended upon the Whitney Museum during last year’s biennial and demanded, in a protest letter, for the destruction of a painting that morally offended them. Their issue wasn’t only with the painting but with the painter. Dana Schutz’s “Open Casket” depicted Emmett Till in a whirring rictus of earth tones. It’s a vague, unsure, respectfully deferential work, different from Schutz’s bigger, more dazzlingly audacious stuff. One problem, according to the protesters, was that Schutz, as a white woman, had no business painting this young black martyr. This was not, the letter agued, her story.
There have been arguments over whether Hermione, of the Harry Potter series, is black, accompanied by complaints that the most important black character is Kingsley Shacklebolt.

On the one hand, the politics of identity, in its cultural appropriation guise, says artist Dana Schutz has no right to depict someone of a minority race. This somehow takes away from the minority. 

On the other hand, J. K. Rowling is pressured to treat the Harry Potter series like an employment opportunity requiring diversity in hires. 

It can't be both. Write about one's own ethnicity and be accused of sinning against diversity. Write about other ethnicities and be charged with using, profiting, and stealing from members of a needy identity.

Classicist Mary Lefkowitz, pointing out that in the classroom a geology professor is not permitted to assert that the Earth is only 6000 years old, observed, "Academic freedom is the freedom to profess a discipline according to its recognized content and procedures, free from constraints and considerations extraneous to that discipline."

A holder of a political position may not impose extraneous "constraints and considerations" on works of art or on those who create them.

We've experienced works of art bent to propaganda. They do not fare well.